The Killer Within Read online

  ABOUT THE AUTHOR

  Paul Toohey covered Peter Falconio’s disappearance for The Australian and the subsequent committal and trial of Bradley John Murdoch for The Bulletin, where he has been a senior writer since 2003. He started out in Darwin newspapers, tried his hand at rock and roll writing, was a creative force behind ACP’s Picture magazine and an editor of Truth newspaper and the short-lived but spectacular World magazine. In the mid-90s he began writing longer stories. His first book, God’s Little Acre, was published in 1996, followed by Rocky Goes West in 1997. He has won the Graham Perkin Journalist of the Year and a Walkley Award for magazine feature writing. He lives in Darwin.

  THE

  KILLER

  WITHIN

  PAUL TOOHEY

  FOR J & S

  First published in 2007

  Copyright © Paul Toohey 2007

  All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10% of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act.

  Allen & Unwin

  83 Alexander Street

  Crows Nest NSW 2065

  Australia

  Phone: (61 2) 8425 0100

  Fax: (61 2) 9906 2218

  Email: [email protected]

  Web: www.allenandunwin.com

  National Library of Australia Cataloguing-in-Publication entry:

  Toohey, Paul.

  The killer within: inside the world of Bradley John Murdoch.

  1st ed.

  ISBN 9781741143805 (pbk.).

  1. Murdoch, Bradley. 2. Falconio, Peter. 3. Lees, Joanne.

  4. Murderers – Psychology. 5. Criminal behavior. 6.

  Murder – Investigation – Northern Territory. I. Title.

  364.1523099429

  Edited by Jo Jarrah

  Cover & text design by Phil Campbell

  Map by Guy Holt

  Typeset by Bluerinse Typesetting

  Printed in Australia by Griffin Press

  10 9 8 7 6 5 4 3 2 1

  CONTENTS

  PROLOGUE A sentimental guy

  CHAPTER 1 Gunplay at Fitzroy

  CHAPTER 2 Bones from the caves

  CHAPTER 3 Shadows on the land

  CHAPTER 4 Blame it on a Nissan

  CHAPTER 5 Blood on the track

  CHAPTER 6 The HZJ75, a car for all reasons

  CHAPTER 7 Desperate men, desperate women

  CHAPTER 8 Guests in the den of hell

  CHAPTER 9 The Ansell factor

  CHAPTER 10 North, south and in-between

  CHAPTER 11 Killing season

  CHAPTER 12 White lines and pearl-handled pistols

  CHAPTER 13 C/O Berrimah Jail

  CHAPTER 14 The end of the line

  CHAPTER 15 Nothing of interest

  Afterword

  Sources

  PROLOGUE A SENTIMENTAL GUY

  The only time Brad Murdoch ever decked his wife Dianne was just before she left him. It was a good one, right above the eye. But he was never weird. No bent sex, nothing like that. He never forced himself on her.

  Dianne met Brad when she was ten. It was at her Aunty Pamela’s wedding to Murdoch’s older brother, Gary. She never spoke to Brad then; she never really spoke to him for another ten years. Then in 1980, when Dianne was twenty-one, she was visiting Aunty Pam when Brad turned up, with manners. He was neat and tidy. She liked that. In the next year she started seeing him, moving up from Mandurah, 75 kilometres south of Perth, to live with him on the city’s outskirts. They started a trucking business, Brad an owner-driver subcontracting to bigger companies. They were declared bankrupt in 1983 and married in 1984. She couldn’t remember the date. They didn’t ever do wedding anniversaries. They didn’t do much, in fact. Brad was always away, driving, hauling.

  A son was born in 1986. The relationship was over by then. They passed as strangers in the small rooms of their home. She didn’t like the drunken parties. She didn’t like how Brad couldn’t seem to stick to one task. She left when their son was around eighteen months old, taking the boy and that punch with her. The boy grew up never knowing his dad. No maintenance was ever paid.

  Dianne didn’t know the date of her own wedding but the records can assist. It was 14 July. Exactly the same day, seventeen years later, that Murdoch went looking to steal himself a woman off a Northern Territory highway. He ended up losing her, too.

  1 GUNPLAY AT FITZROY

  Aboriginal man Joe Ross passed the rifle and said, ‘Here, take a look. You’ll see what I mean.’ We were standing high on the east side of the old low-level causeway at Fitzroy Crossing, in Kimberley country in upper, remote Western Australia, a land that is too far away even for many Australians. Those who do make the journey tend to do so on their last legs, as part of a duty to see their Australia before Australia sees to them. They do it in newly acquired four-wheel drives – Prados, X-Trails, Pathfinders and the lesser Jackaroos – bought with superannuation payouts or life savings. Age steals much from the elderly. It creaks up knees and elbows and weakens valves, meaning roadside stops are frequent and urgent. And it altogether wrecks good road sense, especially among those towing caravans, who invariably select the worst possible highway bottlenecks to park half out on the road while they wander back and kick the tyres on their ‘rigs’, as they call them. Still, their efforts are rewarded. The Kimberley always seems to try a little harder to impress visitors with its vivid Kodachrome depths.

  Ross was right. Even though the night was a near-moonless one, the view through the rifle’s telescopic sight proved a revelation. Forms in the riverbed below, dark and shapeless when viewed with the naked eye, focus sharply through the tunnel of the scope’s circle of cold, grey–green light. If a target was making its way across the sandy bed, maybe a wallaby, maybe a human, no spotlight would be needed to assist a rifleman in taking a clean head shot.

  It is 2002, December, at a time of year when the loaded Kimberley atmosphere threatens and enthralls. The sky is given to dividing neatly in two, between dark and light, with great black clouds occupying one half while, on the other, the sun or the moon shines bright and clear. But step back a few months from these schizophrenic end-of-year wet season days and nights to August, when there are no rain clouds. So it was when a drunken Brad Murdoch had taken this same vantage point on an August 1995 evening. With starlight above and bonfires lighting up the dry riverbed below, the view through his scope was stark as day.

  Murdoch’s was a clear view but not, to his eyes, a clean one. From his sniper’s position, he could see hundreds of Aborigines partying in the riverbed. Dirty blacks drinking beer by fires, dirty blacks who never paid for anything, not the land the government gave them, not the cars they drove, not the beer they drank. Murdoch settled, for starters, on the sedan parked in the middle of the causeway. As it happened, Joe Ross’s car. Murdoch opened fire. For twenty minutes he and his flame-barking bolt-action .308 – interspersed with some cartoon fire from his .22 lever-action rifle – taught Fitzroy Crossing’s blacks a lesson they would not forget in a hurry.

  See how they run.

  The Roebuck Hotel is where Broome does its serious shorts and singlet drinking. At three o’clock on a Wednesday afternoon, the main bar was quiet, the after-work crowd yet to settle in to the strangely oppressive and inefficient barn. The room – long, dark and carpeted
, with a low ceiling – was a perverse challenge to what Broome was supposed to be about, which is blue sky and white sand for the German, British and Japanese backpacker girls and boys on the final rutting cusp of adolescence. But now it was November. The real northern heat had set in and they’d all gone home. The tourist trade was in its annual hibernation. There was no one in the restaurants, no dread-headed foreign dropkicks with black tattoo armbands or bolts of metal through their eyebrows and girlfriends with nipple rings straining visibly against overflowing bikini cups, making a sun-bitten King Gee local working man grimace at the absurd untouchability of it all.

  At least the strippers were still flying in from Perth for three-day weekends. Two were staying in the room above mine: a cheap, themeless motel. Strippers come in different forms. There are the friendly saloon-girl types who offer sex – or suggestions of the possibilities of sex – in the manner of war nurses tending to stricken soldiers. They lie back on floorboard stages, seeming coy and sincere. They’re usually the younger ones. Then there are the efficient, distant, heavily made-up mid-thirties types, who are strictly business people. Stone-faced, they do tightly choreographed routines, all their movements sharp and perfunctory. Not the sort who make eye contact. Arrangements can be made to get to know the girls better, both kinds of girls, before and after the shows.

  Two transparent g-strings hung suggestively from the railing outside their room. A steady stream of visitors, clean-scrubbed, cologne-doused working men, presumably attracted by a local newspaper ad, climbed their costly stairway. So nervous and beaming were they, it was like they were approaching first love rather than a quick one on the queen-sized. I half expected to see them concealing flowers behind their backs.

  Between appointments, one of the girls – they must have been running some sort of shared-bed tag – stood smoking on her balcony. Looking at her, greyhound lean in her sarong, top-heavy with investment breasts, her pretty, seen-it-all face, it occurred to me that her clients may have been getting their money’s worth.

  ‘Nice day,’ she said, talking aimlessly into the humidity.

  ‘No, it’s not,’ I pointed out.

  She looked at me for the first time, flicked her butt onto the gravel below and walked back inside.

  The Broome locals had regrouped and were bunkered down for the hard months ahead. There was honour in being a wet-season stayer. They all knew who they were. Four white men were sitting at the Roebuck’s long front bar, having nothing to do with each other and silent before their beers. A group of six Aborigines were writing themselves off fast in a darkened corner by a jukebox. In another dim corner two men played table tennis. The taller man had Caucasian features wrestling for space on what wanted to be an Aboriginal face. Neither side had won out. The man’s skin was light enough so as not to render what appeared to be the prison-issue tattoo on his left shoulder a complete waste of the artist’s time. Of the pair, he seemed to wear the pants.

  ‘You fellas know where I can find Tahnu Sahanna?’ I said.

  The taller man looked across at me and his opponent slammed the ball past him and claimed the point. ‘Who’s asking?’ he said, dropping his bat and stepping up to within 30 centimetres of my face.

  A friend had told me Tahnu Sahanna was a ‘great observer of activity on the land’ around Broome. If anyone knew what was going on in these parts, it would be Sahanna. I wanted to know about any run-ins the Aboriginal boys of Broome might have had with Brad Murdoch, a former resident of the town who was said to have a pathological hatred of Aborigines.

  ‘Who hates Aborigines?’ said the tall man, whose name was Neville, computing nothing but key words.

  ‘Brad Murdoch. On his inside forearm he’s got a tattoo of a black man being lynched.’

  ‘Wait, wait. You say Murdoch?’

  ‘The bloke they want for the murder of Falconio. Peter Falconio, the British backpacker. Murdoch is the bloke who a few years ago shot into the crowd when a whole lot of people – Aboriginal people – were partying after the football grand final at Fitzroy Crossing. He went to jail for it. Remember?’

  ‘Yeah, I remember. That name, Murdoch,’ said Neville. ‘That’s not a very well-loved name in this town. You should be careful using it. Why do you want to meet Tahnu? How do I know you’re not a cop?’

  I told him I’d walk away now, no hard feelings.

  ‘’Cos you’re talking about my bro,’ said Neville. ‘Tahnu Sahanna is my bro and in this town, he’s the man.’

  ‘Well, that’s what I heard,’ I said.

  Neville relaxed. ‘Why don’t you go and buy us a jug. I’ll make a call.’

  The jugs in the Roebuck are plastic so no one can get brained or glassed. The beer is Emu. Neville returned from the wall phone. ‘I can take you directly to Tahnu Sahanna, bro, but you better not be fucking with me.’

  Something told me Neville hadn’t actually got through to Sahanna.

  ‘No, I didn’t speak to him,’ he confirmed. ‘But I left him just a short while back. I can take you to him, bro. For the questions you’re asking, Tahnu is the man to answer them. But you gotta show respect when we meet him.’

  Tahnu Sahanna, having so far been ectoplasmic and formless, was beginning to take shape: he was huge, black and shiny, wore a heavy gold medallion, wraparound shades, was a disciple of dead rap gangsta Tupac Shakur and employed a brace of white bikini girls who wore librarian spectacles and got yelled at a lot.

  Brad, Neville’s table tennis opponent, was from Carnarvon, the banana town about 1400 kilometres to the south. ‘Can you save me some of that cigarette?’ he asked, pointing at the one I was smoking. ‘You can just have one to yourself, Brad,’ I said. Brad was kind of nervy, although not on my account. He just was. A shambler. He sucked the very guts out of the Stuyvesant Classic in fast gulps. But he was a gentle presence, unlike the white bloke in his late twenties fast approaching the table and pointing questioningly at me.

  Neville introduced Alvin, who was wearing track pants, Adidas thongs and an athlete’s singlet. Alvin’s body was a tattooist’s unfinished project, his torso covered in heavy blue outlines of Indian chiefs and bald eagles yet to be coloured in. He was probably pacing out the pain. Alvin had chosen to honour the dead tribalism of a faraway nation. It occurred to me that no white man ever seemed to turn himself into a full-body Aboriginal dot painting. Nor had I ever seen a white man paying tattoo homage to the spirit creatures found in the of rock art of Arnhem Land or the Kimberley country here. Maybe there’s a cultural cringe among the tattooed about the world’s oldest living culture. Maybe Aborigines would get annoyed.

  Alvin appeared to be unable to talk properly. Judging by his halfformed speech, which came out in groans, he was a little slow, maybe. Brain damaged. My immediate impression was: motorbike accident. So it was curious that Neville and Brad deferred to him. Perhaps it was because Alvin was carrying a great deal of money. Fifties and hundreds spilled out of his pockets onto the ground. Alvin was out of it, on something. His fingers were rubbery and devoid of prehensile authority. Alvin reeked of jail. Either a jail he’d been in or one he’d be in soon. Neville, too, had a hint of the cell block about him and not just because of his homemade tatt. There was a slight glaze to his eyes, not the product of the drink in him, but somehow more permanent. He had a defiant way of holding out his chin as if daring someone to punch it. The friendly, shambling Brad didn’t look like he’d last long in jail.

  When Alvin heard Neville mention the word ‘journalist’, he became visibly upset and a tragic strangled groan exited his mouth: ‘Aaarrgghhh.’ He looked at me, unhappily, repeating: ‘Aaaarrgghhh.’ Alvin pulled Neville aside for a word.

  ‘I vouch for him,’ I heard Neville tell Alvin, before turning back to me. ‘You hear that, bro? I’m vouching for you. I’ve just come out of a long stint in prison and I don’t want to go back in yet. I’m going to take you to do what you’ve got to do, and you’ll see and hear things. I’m vouching for you. You understand? Don’t l
et me down. Don’t be a cop.’

  A middle-aged Aboriginal man from the hard-drinking group in the dark corner of the Roebuck staggered over. According to the health statistics, being a middle-aged Aboriginal drinker means you are, statistically, already dead. The man was introduced as an ‘important lawman’ from the area. One thing you invariably learn in the north: if someone is introduced as an important lawman, he isn’t. On cue, the lawman started slurring about his supernatural powers. He said he could remove the kidney fat from his enemies without them even knowing it, and next thing they’re dead.

  The taking of a person’s kidney fat remains the pre-eminent sorcery scare tactic used among Aborigines across northern Australia. It is not mythology. It is vicious and rudimentary surgery performed under nonsterile conditions. An ancient Catholic nun once told me of finding an Aboriginal woman sitting in the dust at Wadeye, in the west-coastal Northern Territory. The hysterical woman was pleading for help as she watched her own blood pool about herself. The nun saw that a wide, neat band of skin and fat running across the woman’s back midriff had been flensed clean off. The woman was an adulterer, allegedly. For this, her kidney fat had been accessed by witchdoctors and taken. ‘And probably eaten,’ added the nun.

  Those things still happened – less so these days, but the custom, or maybe the threat, was not extinct. Aborigines usually talked about it very carefully, and then only in whispers. No lawman would ever discuss it at the pub. If the real lawmen knew that serious tribal business was being sold for beer and cigarettes, they’d cut out this drunk’s own kidney fat in a flash. I read this man as the equivalent of an ex-communicated priest, all knowledge and no influence. But my new friends were keen for me to be impressed.

  The lawman wanted to give me a skin name, in order to place me as one of his brothers in life. Aborigines hand out skin names to white people as a compliment. It makes the outsider feel welcome and gives him a rating or a ranking. For some white people, the getting of a skin name completes their universe. They will insist on referring themselves to their white friends back home not as Wayne but as Barramundi. They will never forget the moment they were given their special name. But it is to be noticed that whites are often given insect names. Or worms.